by Monica Shaughnessy
When I look back at some of the short stories I’ve written, many, many of them feature unlikeable main characters. I find deeply flawed people fascinating, and it’s easy to “get away with” telling their secrets in short form. Readers might not stick with them for an entire novel, but they’ll definitely stick with them over, say, ten pages.
Here are just a few of the evil/pathetic/bigoted main characters I’ve cast over the years:
Lydia Strichter (“The Trash Collector”) – A bigot with a big mouth who loves prying into other people’s business. Perma-free on Amazon.
The Professor (“Hell Cent,” Lethal Lore) – An academician with a giant ego and a yen for strangling women.
Lydia Strichter, by far, has hit the most home runs with readers. Reviews mention her by name, either calling her out for bigotry or praising her journey. (I won’t spoil the ending!) The Professor comes in a distant second, but only because “Hell Cent” is part of a recently released collection and “The Trash Collector” is perma-free (and more widely distributed). We’ll see about Josie Kreneck. But I think her story will resonate with readers as well.
So how do you write an unlikeable character that people will tolerate, maybe even secretly like or identify with? Here are my top tips:
- Give them a past tragedy that evokes sympathy and let it drive the story. Lydia is a grieving widow. Josie is afraid of entering middle age alone. The Professor is out of a job. Even readers who haven’t gone through one of these major life events can at least imagine what it’s like to lose a husband, their youth, or their career. This evokes a sympathetic response from the start. It’s harder to hate (truly hate) someone when you know they’ve had a rough past.
- Give them a least one likable or admirable quality. Perhaps it’s a sterling work ethic (The Professor) or sentimentality (Lydia) or even bravery (Josie). Your unlikeable main character must have at least one winning quality. Why? Because that’s real life. And people love characters that read like real life. No one is ever “all bad” or “all good.” If you write them like that, you’re creating cardboard characters (which is WORSE than writing unlikeable characters!) Plus, it gives readers something to root for when things turn ugly.
- Give them a foible that is very, very common. If a reader has that foible, too, or at least knows someone with it, chances are, they will receive your protagonist more kindly. In the case of my characters, Lydia is uncomfortable with anything too “different.” Josie is desperate for companionship. The Professor is superstitious. I don’t know about you, but these traits resonate with me because I’ve displayed them at one time or another in my life. Luckily not all at once!
Okay, to show you all of these tips in action (and to prove they work), I’m going to give you some characteristics of a real person (now deceased) who has made a great unlikeable main character in both fiction and non-fiction in the past. And by the way, all of the bullet points below are factual. Can you guess who I’m talking about?
Our Protagonist was:
- An aspiring artist and cartoonist
- A student with unfilled dreams
- A grieving brother
- A decorated veteran with multiple war wounds
- A vegetarian against the slaughter of animals
- A loving husband
- An electrifying speaker
I don’t know about you, but I can either identify with or root for many of these qualities, even admire them. Except, they all belong to…
Yeah, no kidding.
Which leads me to the very last tip:
4. Don’t make your main character so freaking bad that no tragic past/admirable quality/common foible can overcome their evil. In other words, it’s possible to wade too far into the deep end and create a character that prompts readers to shut the book on page one and curse your name. Er, like Hitler.
So don’t be afraid of casting bad guys in protagonist roles. Just do it with thought and planning and a little sympathy.
How about you, dear reader? Ever cast a bad guy as your protagonist? Ever made your hero an anti-hero? Let’s discuss!