America at Work

By Ellen Leventhal

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Labor Day. People are lining up for sales, barbecue grills  are going  full blast, and some of us are putting the white shorts away until next Memorial Day.

But what is Labor Day really? It wasn’t meant to be an end of summer celebration, and it wasn’t meant to signal the start of school or football season. Labor Day is a day set aside to honor the American labor force. If you don’t know about the divisive Pullman Car Strike, you may want to take time this Labor Day to read about it. In 1894 President Grover Cleveland initiated the holiday as part of the federal response to that strike. But even so, a lot more work needed to be done in order to secure living wages and safe workplaces for American workers. Do you recall learning about the 1911 fire at the Triangle Shirtwaist Factory? Again, if you are not familiar with it, Labor Day is a great time to learn about it and the Labor Unions which had a huge impact on workplace safety.

The Labor and Working-class History Association put out this list of what they feel are good books about labor. Take a look and see what you think.

http://lawcha.org/wordpress/2015/06/08/twenty-best-labor-books-first-

So yes,  we can take this day to relax.  We can enjoy our friends and family, and we can hit the snooze button a few times.But let’s always remember the meaning behind Labor Day and be thankful to the workers who make our lives what they are.

I HEAR AMERICA SINGING

~ Walt Whitman

I hear America singing, the varied carols I hear,
Those of mechanics, each one singing his as it should be blithe and strong,
The carpenter singing his as he measures his plank or beam,
The mason singing his as he makes ready for work, or leaves off work,
The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck,
The shoemaker singing as he sits on his bench, the hatter singing as he stands,
The woodcutter’s song, the ploughboy’s on his way in the morning, or at noon intermission or at sundown,
The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing,
Each singing what belongs to him or her and to none else,
The day what belongs to the day-at night the party of young fellows, robust, friendly,
Singing with open mouths their strong melodious songs.

 

 

 

Genius: The Relationship Between Editor and Writer

by Monica Shaughnessy

red-pen-1422017The movie Genius, starring Jude Law and Colin Firth, is catching buzz in writerly circles. It’s the story of famed editor, Max Perkins, and his protege, Thomas Wolfe. Okay, so the reviews aren’t great. Ironically, one reviewer said the movie was overly long and could’ve used an editor’s red pen itself. 🙂 But that’s not going to stop me from seeing it, and here’s why…

A reporter from the Philadelphia Inquirer writes that a literary biopic “usually describes sensationalistic yarns that cover every aspect of an author’s personal life — his or her sexual hangups, drug addiction, legal and economic woes — but hardly ever his actual job, writing.” This movie breaks that mold, and I find this refreshing – poor reviews or not.

You see, writing IS a job. It’s not a silly daydream or a gift from Heaven or the residue of angel wings or even what’s at the bottom of a whisky bottle. It’s thinking. It’s showing up and putting your rear in the seat. It’s planning. It’s debating, sometimes with yourself, sometimes with your characters. And it’s hard work. A lot of people who don’t write (and a few who dabble) think it’s purely art. If only that were true. So a movie that focuses on the actual job of writing, a movie that lifts the curtain and shows the struggle and heartache and emotion and finesse that goes into spinning words into prosaic gold needs, in my mind, a round of applause.

But that’s only half the story, isn’t it?

Genius asks the thought-provoking question: Would Thomas Wolfe have become an American Icon without the help of his editor? Likely not.

Enter one Max Perkins. The man was no ordinary editor, though. He worked with both Fitzgerald and Hemingway (my idols). Standing toe-to-toe with literary giants is, I imagine, no easy feat. To do so, one has to possess gifts of equal or greater value. Before anyone calls me out and says, “Hey, if that Perkins guy was such a genius, why didn’t I read his book in high school English?” Well…because editing is a completely different skill.

A reporter for the Houston Chronicle writes, “Of all the creative gifts, the ability to edit — that is, to edit text — is the least heralded and the least understood.
Most people have never been edited, and those who benefit from it most tend to forget that the editing ever happened. But the ability to see a shape within a mess, to recognize a structure before it’s in place, to understand on a first read what is there that doesn’t belong and what belongs that isn’t there — this is no casual talent.”

Disclaimer: I am a developmental editor.

Am I biased? Heck, yeah. Nonetheless, the Chronicle reporter hits the nail on the head. An editor’s job (at least a developmental editor’s job) is to see inside a story and interpret what the writer meant to say. Once that’s done, the editor must gently shepherd the writer toward the stronger version of their story, a version the writer must actually agree is stronger. Now if you’ve never been edited before, you might be thinking, “The only version of my story I’m interested in is mine! I won’t have someone telling me how to write!”  To that I say, keep calm and carry on. If an agent accepts your manuscript, you’ll be edited then. If they sell it to a publishing house, it will be edited a second or third time. And if you go straight to self-publishing, readers themselves will tell you how you should’ve edited it. Rarely does a book succeed without input.

If you’re a reader, I encourage you to marvel at the unseen hand of an editor the next time you consume a flawlessly executed book. If you’re a writer just starting out, considering hiring an editor to take your prose and plot to the next level. It’s an eye-opening experience.

Am I a genius? Nah. I’ll leave that to Max Perkins.

Have a Piece of Chocolate and Move On

By Ellen Leventhal
rejection

I know I’ve written about rejection before. But see, that’s the thing. It’s not something you think about once, get over, and move on to a field of daisies and puppies to write happily ever after.  Yes, after a rejection, eat chocolate, have some wine, and move on.  Definitely move on. Just don’t delude yourself into thinking that once you move on, you’ll never get that punch in the gut feeling again.

For traditionally published authors, and those attempting to be one, the rejection letter is sometimes a literary form of “It’s not you, it’s me.” It usually reads something like this: “Although you have a wonderful way of telling a story, it’s just not right for our list. We hope your manuscript finds a home.”  (That always makes me think of hundreds of poor manuscripts huddled together under a street light; homeless and cold.) Sometimes that’s true. Different agents and editors are looking for different things. And sometimes it’s timing. I once got a beautiful rejection telling me that they liked my writing, but they just published a book with a very similar theme, and they are a small press….blah, blah, blah. You know, it’s not you, it’s us. But then there are also the ones that pretty much tell you that you are a fool to have submitted because your work is way below their standards, and you might as well throw your computer away because you are a hopeless hack. OK, I may have overreacted and read that into my last rejection, but you get the idea.

So how about if you indie publish? No rejections? Right and wrong.  Although there may not be actual rejections, you still need a thick skin. Most critique groups have caring, diplomatic members who will point out issues in your manuscript without making you cringe. Critique groups are wonderful for finding things you missed because you are too close to the project. But sometimes an editor may not be as diplomatic. And what about when you pay someone to critique your work and then get a less than stellar review? You may take their criticisms as a form of rejection. Again, drink wine, eat chocolate, and fix the manuscript. You still may feel like you have been punched in the gut, but at least you have a chance to revise. So do it.

Now, what about the indie writer who doesn’t get his work critiqued or edited? Well, maybe they won’t face the same type of rejection, but most likely, their book won’t do well. But those writers are for a whole different blog post. Indie writers need to go through all the same steps as traditionally published writers. When they don’t, they make the rest of us look bad. More on that another day.

We all face some type of rejection. It’s not just about writing.  How do you handle it? I’d love to hear because I’m running low on chocolate and wine.

 

 

Writing 101: The Character Arc

by Monica Shaughnessy

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If you’re a beginning writer or maybe a writer struggling with your second novel, you might be wondering how to construct the perfect character arc. Well, I’m here to help. First, let’s define it, shall we?

Character Arc: a character’s emotional journey throughout the story. 

This is completely different from (but intertwined with) characterization, which is the exploration of details about a character’s past and present that make them seem real and that help drive decisions (along with emotion) throughout the story. For instance, if your main character is autistic (characterization), it will significantly alter their emotional choices (arc). One feeds into the other. But for the sake of this post, let’s extract the character arc so that we may study it in detail.

At the opening of your story, your character begins with an emotional state. Here are some classic opening emotions:

Boredom – I wish something exciting would happen to me for a change.

Joy – I met the most wonderful guy last week, and now we’re dating.

Terror – I just woke up, and there’s a man at the foot of my bed.

Pressure – If I don’t defuse the bomb, the mall will explode.

Throughout the story, your character’s emotional state will vary, but the main emotion, the one you begin with, will drive the forward action of the plot because your MC will either be trying to rid themselves of that feeling or trying to maintain that feeling, despite roadblocks. So choose this state carefully and with purpose.

As we progress through the story, here’s how the above emotions might play out, depending on plot turns:

Boredom – I went looking for action, and I found it! Hooray! Except, it’s more dangerous than I thought it would be. And I have to be home in time for dinner.

Joy – My guy’s mother doesn’t like me. She’s trying to tear us apart.

Terror – I’m going to fight my way out of this situation. Again and again.

Pressure – I’m getting a little old for all this pressure. Do I even want it anymore?

As the story progresses, your character will continue to fight for what they want or they might begin to see what they’re fighting for isn’t worth it.

Boredom – Well, I’m not bored anymore. Because I’m in the emergency room with a broken foot.

Joy – I’m so confused. We were so happy once. Can we be that way again? Maybe, if his mother moves to Boca Raton.

Terror – I refuse to live in terror. I will make a plan, once and for all, to end this.

Pressure – You know, defusing bombs is kind of fun. And it beats working for the post office.

By the end of the story, your character will come to terms with the emotions they’ve been feeling since page one, and they will assess whether they want to maintain that initial state or not. Even if they don’t control the outcome of the plot, they can still choose their mental state.

Boredom – Things aren’t so bad at home. Especially when you compare them to a trip to the ER. I’ll take homework and dinner with my parents any old day! (character craves boredom)

Joy – Who needs a mamma’s boy? The guy was a jerk. Good riddance. (character realizes that joy is no longer attainable)

Terror – I defeated that crazy guy and reclaimed my life so that I can live in peace. (character overcomes terror)

Pressure – This job is totally worth whatever stress it gives me. I’m not ready to retire. (character accepts pressure)

You see? The main character will accept or overcome or reject or crave what they once felt. In all cases, the emotion is tightly bound by the plot, and the plot is tightly bound by emotion. If, once you write your story, you can’t easily change the plot without damaging what the character is experiencing emotionally, then you’ve nailed your character arc. Congratulations! But if you can easily swap out one emotion for another, say, lust for greed, then your story needs more work.

With a little hard work, I know you can get it right!

—————->

Your turn, dear reader. Having trouble with a pesky character arc? Let’s talk shop.

 

Happy Leap Day/ List Day

time management threeBy Ellen Leventhal

The writer’s life and time management. Unfortunately, these two don’t always go together well. At least not for me. I’m sure I’m not alone in my wish for more hours in the day. Does anyone else end their days staring at the ceiling, ticking off all the tasks you did NOT get done that day? Please tell me it’s not just me!

So how happy am I that there is a full extra day this month? VERY happy. Surely, I will use this day to check things off my list. There aren’t that many things, right? I can do this! Here we go:

  1. Send poetry to that magazine.
  2. Dig out the email that tells me the name of the magazine.
  3. Type out texts of picture books to work on pacing.
  4. Go to the library and check-out said picture books.
  5. Begin work on that new website I’ve been talking about for years.
  6. Find someone to help me do that.
  7. Walk around the block. Sitting all day is bad for you.
  8. Finish three critiques.
  9. Call Comcast so I can get online to pull up the stories to critique.
  10. Re-write that short story in picture book format.
  11. Re-write that picture book manuscript into short story format.
  12. Have lunch!
  13. Stop at the Galleria after lunch to pick up those cute clothes for grandkids.
  14. Text daughters-in-law and double check sizes.
  15. Reply to store’s request for more books. Yes, the reissue of that book will be out by summer.
  16. Nag anyone who is responsible for getting the new book out.
  17. Have dinner.
  18. Climb into bed and tick off every item I did not accomplish. Sigh….

Sometimes it’s time management issues. Sometimes it’s computer issues. And sometimes life interferes with the best laid plans. But I will take this extra day for something. Even if it means counting my blessings because, although the book deals aren’t rolling in, a lot of other great things are.

Happy Leap Day, everyone! Use it to do what makes your happy.

 

 

Are You Feeling the Love?

By Ellen Leventhal

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Here we are. It’s Valentine’s Day. Street corners are crowded with vendors selling roses and balloons. Throngs of last minute shoppers are mowing down each other vying for that last box of chocolates. Come on, folks! It’s just a day.  But I get it. It’s hard to resist a fluffy rabbit holding a sign that says “Some Bunny Loves You.”  But our loved ones  know we love them all year around. Or at least they should. So I decided this year that I wouldn’t feed into the hoopla.  Sure, I’d get everyone a card, but the hoopla? Not me.

But then there were puppies. Real puppies asking to be adopted for Valentine’s day. Stuffed puppies calling out for cuddles from behind a stack of bananas at the grocery store. And all those “Dog Gone It…Be My Valentine!” puppies next to the cough medicine at Walgreens. How much can a person take?

I know it’s just a Hallmark holiday. But now I’m thinking. What harm will it do to have some fun? If a yellow marshmallow Peep is ok for Easter, why not a giant pink cookie for Valentine’s Day?

However, not everyone has a Valentine. Some people dread this day. Holidays are not always easy. Society wants us to wear red and smile today. But that’s not the reality for everyone.

So here’s my suggestion. Sure, give gifts and chocolates if it makes you happy. But try to do more. Let’s make sure that today is not just about our loved ones and chocolate hearts. Let’s make this a day of kindness. Kindness to those we know and those we don’t. Reach out to everyone today. It doesn’t take a lot to smile, open a door, or say thank you.  Of course, we should do that every day, but sometimes we need a reminder. So this year, let’s celebrate “Kindness Day.”

Keeping that in mind,  I have to give props to the Space City Scribes. I thank my SCS buddies for all the help they give me. They even put up with my technical ineptitude. Thanks, guys!   And of course, this group of dynamic women  write a pretty awesome anthology! (Like that segue?)

So,  to those inclined, check out First Last Forever. It’s a group of stories about disastrous first dates. They are sweet, funny, and even a bit devilish.  We hope you like them. And if you do, we’d love a review! 🙂

http://www.amazon.com/gp/product/B01AEDZFMK?keywords=first+last+forever&qid=1452800466&ref_=sr_1_1&sr=8

FLF hands FINAL

I wish all our readers a wonderful day with or without stuffed animals. Reach out to someone new, compliment someone, and smile at a stranger. And go ahead and eat some chocolate if you’d like.

For now, I’m off to my son’s house. How can my granddaughter survive without a stuffed dinosaur telling her she is “Dino-mite”?

Happy Kindness Day!

 

 

 

 

 

Truly Bad Date? Share It and Win!

by Monica Shaughnessy

broken-heart-1316091“Love them or hate them, we’ve all had first dates…”

That’s the opening line of our blurb for First Last Forever: A Collection of First Date Disasters, and I think it’s one most people can identify with, no matter the culture or country. Even arranged marriages begin with a “date” – the wedding date! As we near the most romantic day of the year – Valentine’s Day – this is the perfect time to discuss such matters of the heart. Do you, dear reader, anticipate first dates with dry palms and nerves of steel? Or do you look forward to “getting them over with” so that the second date can begin, the date where you can relax and be YOU, the YOU that wears Converse high tops with dresses and puts Sriracha on pizza and sings off-key to “Ex’s and Oh’s.” (that’s not ME, I swear).

Before writing my own stories for the anthology, I didn’t give much thought to my past. I already had some plot ideas involving situations I’d never been in, like speed dating. No “plumbing the depths” necessary. But then this post arose, forcing me to catalog all of the firsts I could remember, starting with (eeek!) high school. After rummaging through the dusty filing cabinet in my brain, I came up with some truly awkward moments.

Take a look at my top four dating fiascos. I bet you’ve been in a few yourself:

  1. The Set-Up – “Oh, honey, he’s a nice boy, and we like his parents. You only have to go out with him once.” Oy. The small talk on this date was excruciating. Spanish inquisition-type stuff. But the joke was on me, because years later this frog turned into a prince.
  2. The Stand-Up – “Where could he be? Let me check my dial tone. Maybe he tried to call and couldn’t.” Mmm hmm. Bad connection. Gotta be. For anyone under the age of thirty, “checking your dial tone” equates to pinging your BFF with a desperate text asking if she’s receiving because he just. isn’t. answering.
  3. The Sit Down and Shut-Up – “Who is this guy? Certainly not the guy who asked me out. Because the guy who asked me out stopped talking long enough for me to to say yes.” This date was the OPPOSITE of the Set-Up. Too much talking. So much that I hardly got a word in edge-wise. By the end of the evening, I knew every possible thing about him…and he barely knew my name.
  4. The I Give-Up – “We should just be friends. No? Well, we should try. Really. Friends. You’re not getting the hint. Will you stop? Sigh. I guess one date couldn’t hurt.” Sadly, I have been on more than one of these. I am clearly a sloooow learner.

I’m sharing these to get the ball rolling, dear reader. Between now and February 10th, we’re hosting a contest to give away a copy of First Last Forever. We’ll select one winner randomly from the comments below. And I’m expecting my fellow Space City Scribes to stop by and share their embarrassing stories as well. You will, won’t you, ladies?

YOUR TURN: Tell us about your truly awful first date or funny first date or romantic first date, and you’re automatically entered to win a copy of our book. Thanks for reading! And good luck!

 

Acing Unlikeable Protagonists

by Monica Shaughnessy

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Tell My Story. I Dare You.

When I look back at some of the short stories I’ve written, many, many of them feature unlikeable main characters. I find deeply flawed people fascinating, and it’s easy to “get away with” telling their secrets in short form. Readers might not stick with them for an entire novel, but they’ll definitely stick with them over, say, ten pages.

Here are just a few of the evil/pathetic/bigoted main characters I’ve cast over the years:

Lydia Strichter (“The Trash Collector”) – A bigot with a big mouth who loves prying into other people’s business. Perma-free on Amazon.

Josie Kreneck (“Date From Hell,” First Last Forever) –  A fickle thirty-something who’s dumped more men than Madonna.

The Professor (“Hell Cent,” Lethal Lore) – An academician with a giant ego and a yen for strangling women.

Lydia Strichter, by far, has hit the most home runs with readers. Reviews mention her by name, either calling her out for bigotry or praising her journey. (I won’t spoil the ending!) The Professor comes in a distant second, but only because “Hell Cent” is part of a recently released collection and “The Trash Collector” is perma-free (and more widely distributed). We’ll see about Josie Kreneck. But I think her story will resonate with readers as well.

So how do you write an unlikeable character that people will tolerate, maybe even secretly like or identify with? Here are my top tips:

  1. Give them a past tragedy that evokes sympathy and let it drive the story. Lydia is a grieving widow. Josie is afraid of entering middle age alone. The Professor is out of a job. Even readers who haven’t gone through one of these major life events can at least imagine what it’s like to lose a husband, their youth, or their career. This evokes a sympathetic response from the start. It’s harder to hate (truly hate) someone when you know they’ve had a rough past.
  2. Give them a least one likable or admirable quality. Perhaps it’s a sterling work ethic (The Professor) or sentimentality (Lydia) or even bravery (Josie). Your unlikeable main character must have at least one winning quality. Why? Because that’s real life. And people love characters that read like real life. No one is ever “all bad” or “all good.” If you write them like that, you’re creating cardboard characters (which is WORSE than writing unlikeable characters!) Plus, it gives readers something to root for when things turn ugly.
  3. Give them a foible that is very, very common. If a reader has that foible, too, or at least knows someone with it, chances are, they will receive your protagonist more kindly. In the case of my characters, Lydia is uncomfortable with anything too “different.” Josie is desperate for companionship. The Professor is superstitious. I don’t know about you, but these traits resonate with me because I’ve displayed them at one time or another in my life. Luckily not all at once!

Okay, to show you all of these tips in action (and to prove they work), I’m going to give you some characteristics of a real person (now deceased) who has made a great unlikeable main character in both fiction and non-fiction in the past. And by the way, all of the bullet points below are factual. Can you guess who I’m talking about?

Our Protagonist was:

  • An aspiring artist and cartoonist
  • A student with unfilled dreams
  • A grieving brother
  • A decorated veteran with multiple war wounds
  • A vegetarian against the slaughter of animals
  • A loving husband
  • An electrifying speaker

I don’t know about you, but I can either identify with or root for many of these qualities, even admire them. Except, they all belong to…

>

>

>

Adolph Hitler.

Yeah, no kidding.

Which leads me to the very last tip:

4. Don’t make your main character so freaking bad that no tragic past/admirable quality/common foible can overcome their evil. In other words, it’s possible to wade too far into the deep end and create a character that prompts readers to shut the book on page one and curse your name. Er, like Hitler.

So don’t be afraid of casting bad guys in protagonist roles. Just do it with thought and planning and a little sympathy.

————>

How about you, dear reader? Ever cast a bad guy as your protagonist? Ever made your hero an anti-hero? Let’s discuss!

Imaginary friends and writing

by Mandy Broughton

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My daughter had an imaginary friend. My daughter treated her as a real friend. So real that it was six months before I realized she didn’t exist. Imagine my surprise when I asked the preschool teachers to point out Olivia to me and they told me, “there’s no Olivia in this class.” Turns out there wasn’t an Olivia in any classes at the school. I know, I checked.

Best friends. Olivia was quite the trouble-maker. I’d hear all about these wild parties my daughter and Olivia would throw while I slept blissfully through the night. I said more than once I was glad Olivia was good at cleaning up the house after a wild night of partying.

Olivia’s mom was quite the rebel too. I was informed one day that Olivia’s mom was thrown in jail for speeding. I found myself arguing with a three year old on whether or not her imaginary friend’s mother was thrown in jail for speeding. Sheesh!

I decided to research children and imaginary friends. I never had any. As a child, I was perfectly content to sit and read in my room all day. Friends–real or imaginary–would disturb that peace.

Imaginary friends are what we would expect from highly creative people. Active imagination. Intelligent. Creative. Verbal. What I did not expect was that many adults had imaginary friends. What?! Are these people in need of a mental health professional? Maybe, but mostly they are creative adults. And it turns out many of those creative adults are authors.

As a writer, I know I have proper characterization when I dream about my characters. I can hear what they say in certain situations. I know how they’d act when problems arise. Fictional characters should not be shooting gallery ducks forced to respond in a certain way when a crisis occurs.* Characters should be organic, growing as the story progresses. They should feel more real than some real-life celebrities we watch and follow in the news.

As a writer, have you ever needed a character to act a certain way and she just wouldn’t? She’s supposed to be angry but she’s acting all quirky and sarcastic on the page. Or two characters start flirting with each other and they’re not supposed to even like each other. Happens to me all the time. My characters have taken over the pages of my manuscripts. And many of them are completely unrepentant for derailing my plot. I guess I’ve developed imaginary friends as an adult. Maybe I’m a late bloomer.

So tell me, dear writers, how do you know when you’ve achieved proper characterization? Do you hear voices in your head? Do you dream about them? Do you mock-up a fake Facebook page and imagine what they’d post? I mostly argue with mine.

Back to work on this first work week of the New Year. I hope the New Year brings plenty of good books, lots of writing, and great friendships–real and imaginary!

Oh, and I can’t forget, as a longtime, die-hard University of Houston Cougar alumni and fan… oDPuclxr.jpgCongratulations on winning the Peach Bowl. GO COOGS!

 

*My editor once told me my characters were like shooting gallery ducks, they were cardboard and went back and forth like I was shooting at them.

 

What’s On Your Backpack?

By Ellen Rothberg

Backpacks are icons of personalities. One would never consider carrying a backpack emblazoned with a picture or caricature of something or someone they were not connected to in some shape or form. The advent of the backpack is a real nineties phenomenon, one that obviously earned tons of money for an industry previously employed by Colorado hikers. Have you ever thought about what we carried our books around in before the big backpack bang? I had a red rubber book band. It had two metal doohickey things on the ends that sort of connected to each other and tried to keep the books sort of together, but didn’t actually work well in the New York winters. It didn’t help that I had a pretty long walk to and from school in those cold winter months either because the red rubber band invariably froze and disintegrated on the long, snow-laden treks home. This musing is not, however, actually about my school experience or how I managed those miles and miles of walking in the snow . . . it is about the backpack phenomenon and how each generation is characterized by the apparatus chosen to, well, lighten the load that students have to bear.

Back in the nineties, my children were introduced to backpacks depicting the Transformers and Strawberry Shortcake. There might have been a Batman one school year and I think we might have done Barbie once. There were Nike bags when in middle school and cartoon characters were no longer cool. We had a Jansport era in high school, I think. I can visualize the many backpacks, but there are no photos of them. I don’t think that we record those items the way we do Halloween costumes and holiday sweaters. If I were to ask my son and daughter to name their favorite backpack, I know they would give me that look. The one that says, “Oh, she’s writing something about us” or “Oh, she’s about to remind us of the trials of growing up in an apartment with only one bathroom”. This musing is not, however, actually about my children’s school experience or how their backpacks defined or didn’t define their school success, popularity or ability to roll their eyes at things their mother says. . . it is bout the backpack phenomenon and how each generation is characterized by the heavy-duty canvas surrounding their load of books.

Now tht I have a grandchild, I know that the backpack phenomenon is coming full circle. Will students really contiune to need backpacks? After all, one only needs to have a small tablet computer, right? Do kids really need a whole backpack just to carry their electronic device to school? The answer is a resounding YES! The backpack is here to stay. My precious granddaughter, age 4 1/2 has three current backpacks. The first was purchased at her birth and has the beautifully embroidered words “Aggie Class of 2033” underneath her name (courtesy of her Texas A & M parents). The second one came from Pottery Barn Kids and also has her name embroidered on it (a very Twenty-First Century thing). The third one and her favorite, was purchased at Walmart and has the cartoon character Sofia the First beautifully screen printed across it. It ranks up there with the Strawberry Shortcake and Transformer ones. This musing is not, however, actually about my granddaughter’s school experience or how the more things change the more they stay the same. . . it is about how each generation is cherished by the ones that came before and how, when you get right down to it, we will always be carrying something to school in something that is popular at the moment. Oh, and that we love grandchildren!

And . . .speaking about books, Come out and Celebrate Local Authors at the Maud Marks Library, 1815 Westgreen Blvd., Katy, Texas on Saturday, October 24, 2015 fom 12:30 PM — 5:00 PM. Mingle with local authors of children’s and adult books. Books can be purchased and autographed. The library will also host presenters reading excerpts from a variety of genres. Attendees are eligible for door prizes! Come in costume for a bonus door prize ticket!